PRECASTS

Vic Payne’s precasts, or works-in-progress, are more than just preliminary models; they are an essential part of his artistic process. These precasts allow him to experiment with composition, movement, and storytelling before committing to the final bronze casting. Through this practice, Payne meticulously refines every detail, from the folds of a rider’s coat to the tension in a horse’s muscles, ultimately evoking the spirit of the American West. His dedication to authenticity shines through in his study of historical references and natural forms, which brings a sense of realism and dynamism to his sculptures.

Using oil-based clay, Payne carefully sculpts his subjects, creating rich textures and lifelike movement that will later be transformed through the Lost Wax Casting Process into bronze sculptures. His approach is highly dynamic, often working on three or more pieces at the same time. This allows each sculpture to evolve alongside his creative vision. By maintaining a fluid artistic process, Payne continuously adjusts compositions and perfects nuances before the final casting. His precasts ensure that his portrayal of the American West remains deeply authentic, capturing the energy and emotion of his subjects.

Together with his father, Ken Payne, he pioneered the concept of selling bronze sculptures through clay works-in-progress, known as “Precasts.” This practice, now widely adopted by many sculptors, allows collectors and admirers to engage with the artistic journey, witnessing the transformation of raw clay into enduring bronze masterpieces. This unique opportunity not only creates a special connection to the creative process but also underscores Payne’s commitment to preserving the legacy of Western artistry.